Skip to main content

Enamel Experiment

I was browsing the forum on Barbara Lewis's Painting With Fire ning group the other night and saw a photo a member had posted showing how to fire an opalescent enamel correctly. He'd used what looked like a chasing on air fold formed copper disc and looking at it set something off in my brain!

I liked the idea of having a definite break in the surface of the disc which would make enamelling it in two different colours slightly easier than trying to achieve a gap or straight line by my, at times, rather shaky hand :D

So I got the disc cutter out and my torch and mallet and started playing. Made the fold, miraculously pretty well centred I have to say, into the pickle, a quick clean up then started playing with the enamel powders. I really wish I'd taken some photos along the way.......

After counter enamelling I used a small piece of card (a Moo minicard actually!) to cover one side of the front of the disc then sifted the nut brown onto the other side, carefully cleaning up any stray bits of enamel with a small paintbrush then fired it. I did try to sift both colours at the same time to start with but soon realised that wasn't a good idea - some of the seafoam got mixed with the nut brown and I had to abort and start again.

A quick clean up inbetween (enamelling isn't quick) then I sifted the seafoam and fired again. Repeated the whole process with another coat and this was the result...


I decided to pickle the discs again to remove the firescale then oxidised them to black and added some long sterling earwires with a matching czech glass bead.
It got me thinking about other designs.........like how having the fold running top to bottom slightly off centre to allow for the hanging hole would look pretty cool or just enamelling one side and leaving the other plain, textured or stamped which I would oxidise later.

I've certainly got lots of ideas buzzing round my head now. I'll try and remember to take some photos next time too :D




Comments

  1. These are beautiful! I can see so much potential with the fold forming and enameling. You brought it home! I hope you post them on the ning. :-)

    ReplyDelete
  2. Thanks Barbara! I will post them on the ning too :D

    ReplyDelete
  3. Really nice! They actually look tasty :-)

    ReplyDelete
  4. Love your enamel work, and thanks for the ning link - I'm a month away from setting up my workshop so that I can have a play with the enamels and glass, and everything else!

    ReplyDelete
  5. I love your work! These discs look beautiful!

    Ambra

    ReplyDelete

Post a Comment

Your comments and questions are very welcome!
If you would prefer to contact me directly please use the contact form on my "get in touch" page.

Popular posts from this blog

Combining Soldering And Enamel

The need to make cute, brightly coloured enamel studs propelled me into the world of combining soldering with enamel a couple of years ago. I knew from reading up on it that it was possible to enamel and solder on the same piece but wasn't too confident I was able to do it back then. It was a slightly embarrassing occurance that made me just get on with - I'd made some enamel studs with glued on stud posts. I'd used 2 part epoxy resin which was a job in itself as it set hard after 5 minutes so I had to keep mixing more up. The finished studs looked ok but that little voice in my head kept asking "are you sure you want to use glue?" I wasn't but didn't think I had any other way to do it so I used glue. I sold my first pair and merrily sent them on their way to Canada. A couple of week later the buyer got in touch to say the stud post had come off one of the earrings and the other was hanging off. I was mortified, apologized profusely and refunded her m

Torch Enamelling - What I've been Up To Recently!

I've admired enamelled jewellery for a while now and not too long ago did a blog post about Etsy seller tekaandzoe  and her wonderful kiln enamelled creations. I didn't think at the time that it was something I would ever be able to do as the cost of kilns plus lack of space would be a problem for me. That wasn't until I saw an advert for a torch enamelling tutorial from US jewellery supplies website Beaducation  by Steven James . It's a great tutorial showing the basics on how to torch enamel on copper. Of course I bought it! I then spent hours scouring the internet for more information on torch enamelling, where to buy the tools I'd need and of course the enamel powders. There are quite a few UK sites selling enamelling supplies and tools but as usual I found the US sites had more choice (why do we always lag behind?) I bought some enamel powders from a couple of UK sites to begin with - Cookson Gold have a good selection but bear in mind the leaded enamels ha

Etching Silver Using Nail Art Stamps

So my love/hate relationship with etching sterling silver continues. I've tried a few times now and always end up with different results most of them not that great to be honest. I've tried connecting the silver and a piece of copper to a 9v battery and also heating the ferric nitrate. Sometimes the results are good sometimes not so good. I currently have an etched piece of silver sheet waiting to be reticulated and rid it of the mess that is the etched "pattern".  I now know that using stamps and Stayz On ink just doesn't work with silver - the time needed to etch using ferric nitrate is much longer than etching copper and the ink starts to wear away after about an hour. This results in the pattern being patchy as the resist is eaten away and the silver ends up quite lumpy and course looking. I have yet to try using pnp paper. I don't know why but it all seems a bit of a faff to do. I don't have a laser printer so would need to find somewhere or