Skip to main content

Salmon Pink! New Artfire Collection

  A very pretty new collection on Artfire that includes my Rhodonite with Pyrite and copper wirework earrings!
Curated by Sandeeknits


Comments

  1. Congratulations! Those earrings definitely deserve to be included! It's a beautiful collection!

    ReplyDelete
  2. It's a beautiful collection! I love your earrings.

    ReplyDelete

Post a Comment

Your comments and questions are very welcome!
If you would prefer to contact me directly please use the contact form on my "get in touch" page.

Popular posts from this blog

Etching Silver Using Nail Art Stamps

So my love/hate relationship with etching sterling silver continues. I've tried a few times now and always end up with different results most of them not that great to be honest. I've tried connecting the silver and a piece of copper to a 9v battery and also heating the ferric nitrate. Sometimes the results are good sometimes not so good. I currently have an etched piece of silver sheet waiting to be reticulated and rid it of the mess that is the etched "pattern". 
I now know that using stamps and Stayz On ink just doesn't work with silver - the time needed to etch using ferric nitrate is much longer than etching copper and the ink starts to wear away after about an hour. This results in the pattern being patchy as the resist is eaten away and the silver ends up quite lumpy and course looking. I have yet to try using pnp paper. I don't know why but it all seems a bit of a faff to do. I don't have a laser printer so would need to find somewhere or someone…

Rolling Mill Textures On Metal

I had another play with my rolling mill last week using some of the texture sheets from Etsy shop Rolling Mill Resource. I used some sterling silver and copper sheet and soon discovered it's best to get organized before you start!

I cut the sheet to size and worked out which design was going on which piece of metal. I also tried a feather but more on that later. Most of the sheet I used was 20g/0.8mm with one piece of 18g/1.0mm and one of 22g/0.6mm.
I've read that you should do a dead pass of the metal through the rolling mill with the gap the same size as the metal and texturing item. I'm not sure what this is supposed to achieve but I don't bother doing it. Judging the correct size of gap between the rollers is a trial and error thing that you discover by setting the gap then starting to roll the metal through. If there's too much resistance you make the gap bigger until there's just enough resistance to roll the metal through without giving yourself a herni…

Using Tabs To Set Stones In Jewellery

I received the May 2014 issue of Art Jewelry last week and was immediately drawn to a piece by Michael David Sturlin in the Metalsmith 101 section called Cold Captures: Push-up Prongs. It covers a method of setting stones or buttons or enamel pieces {or anything with a flat base really} using tabs or prongs rather than using a soldered bezel or other setting that needs to be soldered in place.



I fancied a change and do love a bit of messing about with metal without doing any soldering so I took the magazine to my jewellery night class and had a go. This is my attempt at the above.....



 The millefiore cab was the largest size I possess at the mo as I haven't bought any large cabochons yet {give it time!}. It's about 15mm I think so I used it as a practice piece. I had to draw the shape by hand or rather my scribe as I didn't have anything to use for the curves so it's a bit wonky but I do like the design. I'm not planning on doing anything with this so I left it un…