Skip to main content

A Jewellery School In Eastbourne?!!


Imagine my delight when looking through the latest issue of Making Jewellery magazine I noticed a small article on The Sussex Jewellery School. Ooh, I thought, I live in Sussex, I wonder where................  then I noticed it was in my hometown of Eastbourne! I don't believe it!

I checked out the website and contacted them to ask if they minded me doing a blog piece about them. They were quite happy, so here's a bit of info for any fellow jewellery makers in the Eastbourne area!

The Sussex Jewellery School opened in January and is situated very close to the railway station in Commercial Road, Eastbourne. The school is a mews-type premises over two floors with a 400ft studio, kitchen and common room.

Classes are available in PMC (Beginners and Advanced), Resin Jewellery and from Autumn they are starting classes in enamelling on silver. They will also be running advanced courses on adding gold to PMC and making silver boxes.

Tempted? I know I am. I've wanted to learn to make PMC jewellery for a while now so was thrilled to see they ran classes in just that. Most of the classes are held at weekends from 10am to 5pm, although there are also some classes on a Monday and Friday.


 They also offer one to one tuition by the hour, a kiln firing service and studio sessions where you can work on your own pieces in the studio after you've taken one of their classes.

At the moment my job clashes with the class times (bum!) but as soon as it's possible I will be booking a Beginners class in PMC. The price is £105 (correct at time of writing) which I don't think is bad for seven hours of learning something new and making up to three items of beautiful (hopefully!) jewellery. Watch this space!



Visit The Sussex Jewellery School website
Labels:

Comments

  1. I have awarded you a sunshire award for your great blog. Collect your award from www.cjjewellery.blogspot.com.

    ReplyDelete

  2. Oooh! Sounds good to me ~ I'm not too far away and have been reading about PMC jewellery. I'd love to give it a go!

    ReplyDelete

  3. Lucky! I would LOVE a jewellery school in my town. The closest ones are in London I think, which isn't too far but being in my town would be so convenient :) £105 really isn't bad at all, especially if you're going to make three items - you definitely get your money's worth! I paid about £65 for mine, which was a one-to-one session, and I came home with a pretty pendant :) You'll love it. x [sorry for rabitting on!]

    ReplyDelete

  4. Great article. Lucky you , Tracy. I wish there was something like this in Manchester, but there is nothing available except basic beading classes here, so I just opened my packet of PMC and got stuck in!

    ReplyDelete

  5. (Chuckling) I'm glad you think our price is fair one of my students managed to make five pieces of jewellery on the Beginnings in Silver Clay day (though she did work small - she seemed to have the never-ending packet of PMC3!). I adore teaching the classes: I'm passionate about raising standards in silver clay work! I'm happy to say that students come from far and wide, and say very nice things about their day.

    ReplyDelete

Post a Comment

Your comments and questions are very welcome!
If you would prefer to contact me directly please use the contact form on my "get in touch" page.

Popular posts from this blog

Etching Silver Using Nail Art Stamps

So my love/hate relationship with etching sterling silver continues. I've tried a few times now and always end up with different results most of them not that great to be honest. I've tried connecting the silver and a piece of copper to a 9v battery and also heating the ferric nitrate. Sometimes the results are good sometimes not so good. I currently have an etched piece of silver sheet waiting to be reticulated and rid it of the mess that is the etched "pattern". 
I now know that using stamps and Stayz On ink just doesn't work with silver - the time needed to etch using ferric nitrate is much longer than etching copper and the ink starts to wear away after about an hour. This results in the pattern being patchy as the resist is eaten away and the silver ends up quite lumpy and course looking. I have yet to try using pnp paper. I don't know why but it all seems a bit of a faff to do. I don't have a laser printer so would need to find somewhere or someone…
30 comments
Read more

Embossing Metal With My Sizzix Bigshot

I must admit up until a few weeks ago I was vaguely familiar with the name Sizzix but as to what you actually did with a "Sizzix" I was completely in the dark! That was until I stumbled across a video from Vintaj showing how you could use their embossing folders with a Bigshot to create designs on metal ("metal" - my favourite word after chocolate!)
I was really impressed and itching to have a go, I just needed a Bigshot........ I waited a few weeks then when the urge to possess one overcame me I went out debit card at the ready..............and the shop had sold out! So I trundled off to The Range on the off chance and came home clutching my own surprisingly heavy pink and black wonder machine. It sat on the dining room table for a couple of days while I waited for the embossing folders I'd ordered online to arrive then the time came to start playing!


I started with some pre-cut 24g copper hearts and the Wildflower Vines and the Butterfly Swirls Deco Embossin…
24 comments
Read more

Rolling Mill Textures On Metal

I had another play with my rolling mill last week using some of the texture sheets from Etsy shop Rolling Mill Resource. I used some sterling silver and copper sheet and soon discovered it's best to get organized before you start!

I cut the sheet to size and worked out which design was going on which piece of metal. I also tried a feather but more on that later. Most of the sheet I used was 20g/0.8mm with one piece of 18g/1.0mm and one of 22g/0.6mm.
I've read that you should do a dead pass of the metal through the rolling mill with the gap the same size as the metal and texturing item. I'm not sure what this is supposed to achieve but I don't bother doing it. Judging the correct size of gap between the rollers is a trial and error thing that you discover by setting the gap then starting to roll the metal through. If there's too much resistance you make the gap bigger until there's just enough resistance to roll the metal through without giving yourself a herni…
14 comments
Read more