Skip to main content

New Pretties!

Here's a photo of my latest pretties ::



I bought these with Valentine's Day in mind ~ some pretty little Czech Glass hearts, faceted Amethyst hearts and some lovely Lucite flowers in red, pink, white and black. I praise the clever person who thought to christen them "Lucite" as it sound so much better than plastic or acrylic! Although they really are acrylic (I can't bring myself to call them plastic!) they are very pretty and well made and combined with other beads and Sterling Silver or copper, make a lovely pair of earrings. I'll post the photos of my finished creations in a few days..............

The dreaded sort~out
At the latest count I have 7 boxes full of beads and the time has come to have a sort~out. However I can't decide how to go about it. Do I organise them so I have the same colours together, the same shape, the same type ~ Crystal, Semi~Precious, Freshwater Pearl, Copper, Sterling Silver, Glass?? Just the thought of it makes me want to find something MUCH MORE IMPORTANT to do (isn't Bargain Hunt on soon?......)
I did make a start earlier. I emptied the box with my copper stuff in it into another box with Sterling Silver, so now that box is a mess but at least I had an empty box to play with. I then filled the empty box with my FW and Swarovski pearls so at least they are sorted! At that point I lost interest, made myself a cup of tea and decided to write this.

The first of many tidied bead boxes  :D

 

Right, something much more important has come up, I have a date with Tim Wonnacott.......

Comments

  1. I am completely with you on the tidying - my work bench is such a mess, and my tools / metal is slowly taking over the entire spare room! It takes me ages to find what I want, but do I tidy up? NO!

    I love the "lucite" flowers! nikkiX

    ReplyDelete
  2. I decided to sort out my beads the other day used the living room floor got bored half way through and still not sure how to go about it. I'm like you in wondering how, all glass pearls, semi precious, findings etc or colours or what?
    ;o)

    ReplyDelete
  3. It's a nightmare isn't it! I will get round to doing it properly............one day :D

    ReplyDelete

Post a Comment

Your comments and questions are very welcome!
If you would prefer to contact me directly please use the contact form on my "get in touch" page.

Popular posts from this blog

Etching Silver Using Nail Art Stamps

So my love/hate relationship with etching sterling silver continues. I've tried a few times now and always end up with different results most of them not that great to be honest. I've tried connecting the silver and a piece of copper to a 9v battery and also heating the ferric nitrate. Sometimes the results are good sometimes not so good. I currently have an etched piece of silver sheet waiting to be reticulated and rid it of the mess that is the etched "pattern". 
I now know that using stamps and Stayz On ink just doesn't work with silver - the time needed to etch using ferric nitrate is much longer than etching copper and the ink starts to wear away after about an hour. This results in the pattern being patchy as the resist is eaten away and the silver ends up quite lumpy and course looking. I have yet to try using pnp paper. I don't know why but it all seems a bit of a faff to do. I don't have a laser printer so would need to find somewhere or someone…

Rolling Mill Textures On Metal

I had another play with my rolling mill last week using some of the texture sheets from Etsy shop Rolling Mill Resource. I used some sterling silver and copper sheet and soon discovered it's best to get organized before you start!

I cut the sheet to size and worked out which design was going on which piece of metal. I also tried a feather but more on that later. Most of the sheet I used was 20g/0.8mm with one piece of 18g/1.0mm and one of 22g/0.6mm.
I've read that you should do a dead pass of the metal through the rolling mill with the gap the same size as the metal and texturing item. I'm not sure what this is supposed to achieve but I don't bother doing it. Judging the correct size of gap between the rollers is a trial and error thing that you discover by setting the gap then starting to roll the metal through. If there's too much resistance you make the gap bigger until there's just enough resistance to roll the metal through without giving yourself a herni…

Using Tabs To Set Stones In Jewellery

I received the May 2014 issue of Art Jewelry last week and was immediately drawn to a piece by Michael David Sturlin in the Metalsmith 101 section called Cold Captures: Push-up Prongs. It covers a method of setting stones or buttons or enamel pieces {or anything with a flat base really} using tabs or prongs rather than using a soldered bezel or other setting that needs to be soldered in place.



I fancied a change and do love a bit of messing about with metal without doing any soldering so I took the magazine to my jewellery night class and had a go. This is my attempt at the above.....



 The millefiore cab was the largest size I possess at the mo as I haven't bought any large cabochons yet {give it time!}. It's about 15mm I think so I used it as a practice piece. I had to draw the shape by hand or rather my scribe as I didn't have anything to use for the curves so it's a bit wonky but I do like the design. I'm not planning on doing anything with this so I left it un…