Cinnamon Jewellery

I've never tried doing Zentangle designs, I don't think I'm good enough at drawing if I'm honest, but I do love Zentangle patterns! A jewellery maker friend of mine recently very kindly sent me two Deborah Read zentangle stamps (thanks Jill!) I thought I'd use them for etching and decided to try a different way of suspending the copper sheet in the ferric chloride this time too. I normally stick the copper pieces to packing tape and suspend the tape across my etching dish so the copper is immersed in the etching liquid as shown in the photo below..... This works fine for small pieces but anything larger than about 1.5 inches is too heavy for the tape and pulls it down so it ends up touching the bottom of the dish. It also means the copper pieces start to peel off the tape after about an hour which is not good news if you want to do a deep etch! The answer would be to get a deeper dish and more ferric chloride but I thought I'd try hanging the co...

I think I've found the perfect wire gauge for hoop earrings - 2mm. This is just my opinion and probably many would disagree! But..................I've made hoop earrings from various gauges from 20g/0.8mm (big no there, way too flimsy) to 1.5mm and 2mm definitely feels just right. It forms sturdy feeling hoops that don't bend out of shape but aren't too heavy so are nice and comfortable to wear. I've always loved hoop earrings and I am wearing a pair right now. I've often seen the handmade hoops made from 20g/0.8mm wire with the hammered bottom section and thought they looked cool. These are the one's where you form a loop on one end and the hook on the other end of the wire. I did make a pair a long time ago but soon realised that they were much too flimsy and would easily bend out of shape as you tried to fasten them. I tried the same in 18g/1mm which were a bit sturdier but the 1mm wire was too big for the holes in my ears and actually hurt to wear s...

After a few weeks of concentrating on metalwork making hollow form pendants and earrings I needed a burst of colour so out came the enamel powders and some pretty pre-cut copper flower blanks. Yes I could saw out the flowers myself but I didn't :D I felt like mixing up the colours a bit by sifting a mixture of opaque enamels together and firing at the same time. Previously I would only do one colour and fire it then add another colour, fire, then another colour but mixing the second layer of enamel colours saves time and doesn't do any harm. Mixing two different enamel powders won't result in a new colour as such, eg. mixing red and yellow won't produce orange but a speckled blend of red and yellow. Mixing similar shades is good as the different coloured speckles aren't as obvious so the end colour looks more solid. It gives you more options. The earrings above are a base layer of seafoam then another layer of seafoam mixed with lichen and pea which produced...