Magazine features

Back in 2010 I was thrilled to be contacted by the editor of Bead magazine (now Bead & Jewellery) and asked if I would like to be a featured designer and to start creating step-by-step wirework projects for the magazine. Of course I said yes!

I went on to produce six projects for Bead between October 2010 and March 2013 which can be found in these issues of the magazine...

These are the wirework designs I made for the projects

In September 2013 this very blog was featured in Bead and Beyond magazine's Blog of the month!

In 2014 I was asked by Making Jewellery magazine to produce two step-by-step torch enamel projects that came out in issues 71 and 81!

These are the pieces I produced for the projects...

I was the Featured Designer in issue 84 of Making Jewellery too!

Comments

Combining Soldering And Enamel

The need to make cute, brightly coloured enamel studs propelled me into the world of combining soldering with enamel a couple of years ago. I knew from reading up on it that it was possible to enamel and solder on the same piece but wasn't too confident I was able to do it back then. It was a slightly embarrassing occurance that made me just get on with - I'd made some enamel studs with glued on stud posts. I'd used 2 part epoxy resin which was a job in itself as it set hard after 5 minutes so I had to keep mixing more up. The finished studs looked ok but that little voice in my head kept asking "are you sure you want to use glue?" I wasn't but didn't think I had any other way to do it so I used glue. I sold my first pair and merrily sent them on their way to Canada. A couple of week later the buyer got in touch to say the stud post had come off one of the earrings and the other was hanging off. I was mortified, apologized profusely and refunded her m...

Amazing Enamel Effects

Buying a kiln recently has given me the chance to experiment with enamelling on larger pieces of copper and to produce some really cool effects. These effects happen when you combine different types of enamel. I usually use smaller flat pieces of copper for making enamelled earrings and have had some of these effects happen when firing with a torch but they are much more obvious when you use larger pieces. I made a few practice pieces which you can see in the photos below. This was flux {a transparent enamel not to be confused with soldering flux!} applied straight onto copper and fired until the copper was a bright golden colour. Then I added a layer of liquid enamel in green and red over the flux and fired again. The lines and spots form when the enamel becomes hot enough to start moving and in this case the transparent pushes through the liquid enamel layer forming these cool lines and spots. The effect is better in the green liquid enamel than the red. N...

Etching Silver Using Nail Art Stamps

So my love/hate relationship with etching sterling silver continues. I've tried a few times now and always end up with different results most of them not that great to be honest. I've tried connecting the silver and a piece of copper to a 9v battery and also heating the ferric nitrate. Sometimes the results are good sometimes not so good. I currently have an etched piece of silver sheet waiting to be reticulated and rid it of the mess that is the etched "pattern". I now know that using stamps and Stayz On ink just doesn't work with silver - the time needed to etch using ferric nitrate is much longer than etching copper and the ink starts to wear away after about an hour. This results in the pattern being patchy as the resist is eaten away and the silver ends up quite lumpy and course looking. I have yet to try using pnp paper. I don't know why but it all seems a bit of a faff to do. I don't have a laser printer so would need to find somewhere or...

Cinnamon Jewellery

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